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  <title>Pure Signal — Signal</title>
  <subtitle>Advisory and technology at the intersection of music IP, data, technology and finance.</subtitle>
  <link href="https://www.puresignal.co.uk/feed.xml" rel="self"/>
  <link href="https://www.puresignal.co.uk/signal"/>
  <updated>2026-08-10T00:00:00Z</updated>
  <id>https://www.puresignal.co.uk/signal/</id>
  <author><name>Jason Brookbanks</name></author>
  <entry>
    <title>One collecting society to rule them all</title>
    <link href="https://www.puresignal.co.uk/signal/one-collecting-society"/>
    <updated>2026-08-10T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/one-collecting-society</id>
    <summary>SOCAN&#39;s purchase of CMRRA is not about efficiency. It is about control of the data pipeline.</summary>
  </entry>
  <entry>
    <title>AI generates music. The market sells streaming. Both are the same story.</title>
    <link href="https://www.puresignal.co.uk/signal/ai-music-generation-vs-streaming-selloff"/>
    <updated>2026-08-03T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/ai-music-generation-vs-streaming-selloff</id>
    <summary>Google ships Lyria 3.5 while Spotify shares collapse. The tension is not between technology and business — it is between two different assumptions about what music is worth.</summary>
  </entry>
  <entry>
    <title>Planning the exit before you enter</title>
    <link href="https://www.puresignal.co.uk/signal/planning-the-exit-before-you-enter"/>
    <updated>2026-08-02T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/planning-the-exit-before-you-enter</id>
    <summary>A music catalogue exit strategy is not an afterthought. The hold period, resale market, and income trajectory are set at acquisition — not when you decide to sell.</summary>
  </entry>
  <entry>
    <title>What a specialist advisor actually adds</title>
    <link href="https://www.puresignal.co.uk/signal/what-a-specialist-advisor-adds"/>
    <updated>2026-07-26T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/what-a-specialist-advisor-adds</id>
    <summary>Music IP advisory earns its keep by separating verifiable, durable royalty income from headline figures that will not survive diligence.</summary>
  </entry>
  <entry>
    <title>Accountability: the quiet driver of asset hygiene</title>
    <link href="https://www.puresignal.co.uk/signal/accountability-and-asset-hygiene"/>
    <updated>2026-07-19T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/accountability-and-asset-hygiene</id>
    <summary>Asset hygiene accountability, not headline valuations, determines whether a music catalogue&#39;s royalty income stays verifiable over time.</summary>
  </entry>
  <entry>
    <title>The Sony v Suno hearing and catalogue AI risk</title>
    <link href="https://www.puresignal.co.uk/signal/sony-suno-hearing-and-catalogue-risk"/>
    <updated>2026-07-12T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/sony-suno-hearing-and-catalogue-risk</id>
    <summary>The Sony v Suno hearing is a marker in AI music copyright ruling risk, not a valuation event. What it means for pricing catalogue exposure.</summary>
  </entry>
  <entry>
    <title>Why the industry&#39;s data debt is a valuation issue</title>
    <link href="https://www.puresignal.co.uk/signal/the-industrys-data-debt"/>
    <updated>2026-07-05T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-industrys-data-debt</id>
    <summary>Poor music data infrastructure creates hidden valuation risk: catalogues with unresolved metadata and royalty gaps get discounted when buyers and lenders.</summary>
  </entry>
  <entry>
    <title>The tooling gap in rights administration</title>
    <link href="https://www.puresignal.co.uk/signal/the-tooling-gap-in-rights-admin"/>
    <updated>2026-06-28T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-tooling-gap-in-rights-admin</id>
    <summary>Catalogue deals are scrutinised on price and title, but rights administration technology, not headline valuation, often determines how much income is.</summary>
  </entry>
  <entry>
    <title>&#39;Reserved by Spotify&#39;: monetising the superfan</title>
    <link href="https://www.puresignal.co.uk/signal/reserved-by-spotify-and-the-superfan"/>
    <updated>2026-06-21T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/reserved-by-spotify-and-the-superfan</id>
    <summary>Spotify&#39;s Reserved by Spotify ticket pre-sale is a small step, but it signals how the superfan economy in music could reshape where catalogue value sits.</summary>
  </entry>
  <entry>
    <title>Music catalogue multiples: benchmarking the comparables without fooling yourself</title>
    <link href="https://www.puresignal.co.uk/signal/music-catalogue-multiples"/>
    <updated>2026-06-14T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/music-catalogue-multiples</id>
    <summary>Why catalogue comparables benchmarking demands normalising income, rights and risk before any multiple can be trusted.</summary>
  </entry>
  <entry>
    <title>Primary Wave, Kobalt and the scale question</title>
    <link href="https://www.puresignal.co.uk/signal/primary-wave-kobalt-and-scale"/>
    <updated>2026-06-07T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/primary-wave-kobalt-and-scale</id>
    <summary>Primary Wave&#39;s Kobalt deal highlights music publishing consolidation. Scale changes bargaining power, not the durability of underlying royalty income.</summary>
  </entry>
  <entry>
    <title>Distress in music: where restructuring meets rights</title>
    <link href="https://www.puresignal.co.uk/signal/distress-and-rights"/>
    <updated>2026-05-31T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/distress-and-rights</id>
    <summary>Distressed music assets rarely mean failed songs. Restructuring reveals whether the rights, data and income streams beneath the debt were ever sound.</summary>
  </entry>
  <entry>
    <title>Where a master&#39;s pound comes from</title>
    <link href="https://www.puresignal.co.uk/signal/where-a-masters-pound-comes-from"/>
    <updated>2026-05-24T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/where-a-masters-pound-comes-from</id>
    <summary>A guide to the royalty waterfall behind master recording royalties, and why tracing the source of income matters more than headline streaming figures.</summary>
  </entry>
  <entry>
    <title>Where a publishing pound comes from</title>
    <link href="https://www.puresignal.co.uk/signal/where-a-publishing-pound-comes-from"/>
    <updated>2026-05-17T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/where-a-publishing-pound-comes-from</id>
    <summary>Publishing royalties explained: how mechanical, performance, sync and print income combine, and why the mix behind a catalogue matters more than the headline total.</summary>
  </entry>
  <entry>
    <title>Sony, Recognition and the new consolidation</title>
    <link href="https://www.puresignal.co.uk/signal/sony-recognition-and-consolidation"/>
    <updated>2026-05-10T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/sony-recognition-and-consolidation</id>
    <summary>Sony&#39;s deal for Recognition Music Group&#39;s catalogue is a landmark in music catalogue consolidation. What the price tag does, and does not, tell investors.</summary>
  </entry>
  <entry>
    <title>Forecasting royalties without kidding yourself</title>
    <link href="https://www.puresignal.co.uk/signal/forecasting-without-kidding-yourself"/>
    <updated>2026-05-03T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/forecasting-without-kidding-yourself</id>
    <summary>Why most music royalty forecasting mistakes trend extrapolation for analysis, and what separates a defensible forecast from a hopeful one.</summary>
  </entry>
  <entry>
    <title>Owning the asset: value creation after the deal</title>
    <link href="https://www.puresignal.co.uk/signal/value-creation-after-the-deal"/>
    <updated>2026-04-26T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/value-creation-after-the-deal</id>
    <summary>The deal price is a bet; post-acquisition catalogue management decides if music rights income actually matches it.</summary>
  </entry>
  <entry>
    <title>The tightest-ever music ABS, and what spreads say</title>
    <link href="https://www.puresignal.co.uk/signal/the-tightest-ever-music-abs"/>
    <updated>2026-04-19T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-tightest-ever-music-abs</id>
    <summary>Chord&#39;s tightest-ever music royalty securitization signals how lenders price catalogue risk. What the spread tells you that the headline does not.</summary>
  </entry>
  <entry>
    <title>A family office&#39;s first music deal</title>
    <link href="https://www.puresignal.co.uk/signal/a-family-offices-first-music-deal"/>
    <updated>2026-04-12T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/a-family-offices-first-music-deal</id>
    <summary>A guide for family offices making their first music rights deal: how to separate durable royalty income from narrative-driven hype.</summary>
  </entry>
  <entry>
    <title>The $2.225bn fund and what dry powder does to pricing</title>
    <link href="https://www.puresignal.co.uk/signal/the-largest-music-royalties-fund"/>
    <updated>2026-04-05T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-largest-music-royalties-fund</id>
    <summary>Primary Wave&#39;s $2.225bn Fund 4 close raises a pricing question: what institutional dry powder does to a music royalties fund market with finite quality supply.</summary>
  </entry>
  <entry>
    <title>ISRCs, ISWCs and why identifiers are money</title>
    <link href="https://www.puresignal.co.uk/signal/identifiers-are-money"/>
    <updated>2026-03-29T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/identifiers-are-money</id>
    <summary>Why ISRCs and ISWCs, not headline multiples, determine whether a music catalogue&#39;s income actually arrives reliably.</summary>
  </entry>
  <entry>
    <title>Measuring concentration properly</title>
    <link href="https://www.puresignal.co.uk/signal/measuring-concentration-properly"/>
    <updated>2026-03-22T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/measuring-concentration-properly</id>
    <summary>Measuring catalogue concentration properly means going beyond top-line percentages to test durability, correlation and counterparty risk.</summary>
  </entry>
  <entry>
    <title>Rights, chains and consents: the legal spine of diligence</title>
    <link href="https://www.puresignal.co.uk/signal/the-legal-spine-of-diligence"/>
    <updated>2026-03-15T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-legal-spine-of-diligence</id>
    <summary>Why chain of title, consents and warranties, not headline multiples, determine whether a music rights transaction is built on verified value or noise.</summary>
  </entry>
  <entry>
    <title>&#39;Transformative use&#39;: Suno&#39;s summary-judgment gambit</title>
    <link href="https://www.puresignal.co.uk/signal/suno-transformative-use"/>
    <updated>2026-03-08T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/suno-transformative-use</id>
    <summary>Suno&#39;s summary-judgment bid on AI copyright fair use music tests a live legal theory. For rights holders and investors, the lesson is separating filings from value.</summary>
  </entry>
  <entry>
    <title>Music royalty audit: the case for running one before you buy</title>
    <link href="https://www.puresignal.co.uk/signal/music-royalty-audit"/>
    <updated>2026-03-01T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/music-royalty-audit</id>
    <summary>Before pricing a music catalogue, a royalty audit tests whether reported income survives contact with the underlying licences, splits and usage data.</summary>
  </entry>
  <entry>
    <title>Vintage matters: how age changes a catalogue&#39;s risk</title>
    <link href="https://www.puresignal.co.uk/signal/vintage-and-risk"/>
    <updated>2026-02-22T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/vintage-and-risk</id>
    <summary>Catalogue vintage risk shapes decay curves, legal complexity and diversification. A guide to separating durable income from unproven streaming heat.</summary>
  </entry>
  <entry>
    <title>Britney, Primary Wave and the premium for legacy</title>
    <link href="https://www.puresignal.co.uk/signal/britney-primary-wave-and-legacy-value"/>
    <updated>2026-02-15T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/britney-primary-wave-and-legacy-value</id>
    <summary>Britney Spears&#39; ~$200m sale to Primary Wave highlights investor appetite for legacy names. What actually drives legacy catalogue valuation.</summary>
  </entry>
  <entry>
    <title>Base, bull, bear: scenario models that earn their keep</title>
    <link href="https://www.puresignal.co.uk/signal/base-bull-bear-scenario-models"/>
    <updated>2026-02-08T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/base-bull-bear-scenario-models</id>
    <summary>Scenario modelling a catalogue only earns its keep when base, bull and bear cases are built on named, defensible assumptions, not narrative.</summary>
  </entry>
  <entry>
    <title>$11bn in payouts: reading Spotify&#39;s Loud &amp; Clear</title>
    <link href="https://www.puresignal.co.uk/signal/eleven-billion-and-the-payout-story"/>
    <updated>2026-02-01T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/eleven-billion-and-the-payout-story</id>
    <summary>Spotify&#39;s $11bn 2025 payout is real, but it is an aggregate. Here is how to read Spotify royalty payouts without mistaking the total for the income.</summary>
  </entry>
  <entry>
    <title>Rates, duration and what a 100bp move does</title>
    <link href="https://www.puresignal.co.uk/signal/rates-duration-and-catalogues"/>
    <updated>2026-01-25T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/rates-duration-and-catalogues</id>
    <summary>As catalogue multiples compress with higher yields, the real question is duration: how a 100bp rate move actually reprices music royalty income.</summary>
  </entry>
  <entry>
    <title>The per-stream rate is a myth: how Spotify actually pays</title>
    <link href="https://www.puresignal.co.uk/signal/per-stream-rate-myth"/>
    <updated>2026-01-18T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/per-stream-rate-myth</id>
    <summary>The per-stream rate is an average, not a price. For music rights investors and lenders, durable income modelling means disaggregating the mix, not quoting.</summary>
  </entry>
  <entry>
    <title>Discounting royalties: choosing a rate you can defend</title>
    <link href="https://www.puresignal.co.uk/signal/discounting-royalties"/>
    <updated>2026-01-11T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/discounting-royalties</id>
    <summary>Choosing a discount rate for DCF music royalties valuations that can withstand lender, auditor and tribunal scrutiny, not just seller optimism.</summary>
  </entry>
  <entry>
    <title>The songwriter rate ticks up: 15.3% and what it means</title>
    <link href="https://www.puresignal.co.uk/signal/the-15-3-percent-rate"/>
    <updated>2026-01-04T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-15-3-percent-rate</id>
    <summary>The US streaming mechanical royalty rate rose to 15.3% on 1 January 2026. Here is why that headline figure is noise until it is tested against actual cash.</summary>
  </entry>
  <entry>
    <title>What we&#39;ll be watching in 2026</title>
    <link href="https://www.puresignal.co.uk/signal/what-well-be-watching-in-2026"/>
    <updated>2025-12-28T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/what-well-be-watching-in-2026</id>
    <summary>A clear-eyed music industry outlook 2026: what genuinely signals durable value in rights and royalties, and what is simply noise.</summary>
  </entry>
  <entry>
    <title>Ten red flags in a catalogue data room</title>
    <link href="https://www.puresignal.co.uk/signal/ten-red-flags-in-a-data-room"/>
    <updated>2025-12-21T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/ten-red-flags-in-a-data-room</id>
    <summary>Ten catalogue data room red flags investors, lenders and advisers should test before trusting a music rights valuation.</summary>
  </entry>
  <entry>
    <title>The Weeknd, Lyric Capital and the artist-equity deal</title>
    <link href="https://www.puresignal.co.uk/signal/the-weeknd-and-artist-equity-deals"/>
    <updated>2025-12-14T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-weeknd-and-artist-equity-deals</id>
    <summary>The Weeknd&#39;s ~$1bn Lyric Capital deal shows why artist catalogue deal structure, not headline value, is what investors and lenders should scrutinise.</summary>
  </entry>
  <entry>
    <title>Durability: separating the annuity from the spike</title>
    <link href="https://www.puresignal.co.uk/signal/durability-annuity-vs-spike"/>
    <updated>2025-12-07T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/durability-annuity-vs-spike</id>
    <summary>Distinguishing durable royalty income from short-lived spikes is central to sound music rights underwriting and valuation.</summary>
  </entry>
  <entry>
    <title>A plain-English glossary of music rights income</title>
    <link href="https://www.puresignal.co.uk/signal/glossary-of-music-rights-income"/>
    <updated>2025-11-30T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/glossary-of-music-rights-income</id>
    <summary>A precise, plain-English breakdown of music rights income streams, from mechanicals to neighbouring rights, and why the distinctions matter to investors.</summary>
  </entry>
  <entry>
    <title>Neighbouring rights explained: the income line buyers forget</title>
    <link href="https://www.puresignal.co.uk/signal/neighbouring-rights-explained"/>
    <updated>2025-11-23T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/neighbouring-rights-explained</id>
    <summary>Neighbouring rights income is often under-registered and collected in arrears, distorting catalogue valuations. Here is what buyers and lenders should check.</summary>
  </entry>
  <entry>
    <title>Warner settles Suno: pricing the training-data question</title>
    <link href="https://www.puresignal.co.uk/signal/warner-suno-and-the-training-question"/>
    <updated>2025-11-16T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/warner-suno-and-the-training-question</id>
    <summary>Warner&#39;s Suno settlement signals a shift from AI litigation to licensing. What it means for pricing AI music training rights in catalogue diligence.</summary>
  </entry>
  <entry>
    <title>Music business valuation: separating the company from the catalogue</title>
    <link href="https://www.puresignal.co.uk/signal/music-business-valuation"/>
    <updated>2025-11-09T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/music-business-valuation</id>
    <summary>Valuing a music business means separating durable catalogue income from operating revenue that depends on contracts, staff and renewal risk.</summary>
  </entry>
  <entry>
    <title>Financing a music catalogue purchase: equity, debt and the bit between</title>
    <link href="https://www.puresignal.co.uk/signal/music-catalogue-financing"/>
    <updated>2025-11-02T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/music-catalogue-financing</id>
    <summary>A look at how equity, senior debt and mezzanine capital combine in music catalogue financing, and why income quality should drive structure.</summary>
  </entry>
  <entry>
    <title>Sync income: the option value in a catalogue</title>
    <link href="https://www.puresignal.co.uk/signal/sync-the-option-value"/>
    <updated>2025-10-26T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/sync-the-option-value</id>
    <summary>Sync licensing revenue behaves like optionality, not recurring income. Here is how to underwrite it without mistaking a good year for a trend.</summary>
  </entry>
  <entry>
    <title>The first licensed-AI settlements arrive</title>
    <link href="https://www.puresignal.co.uk/signal/the-first-licensed-ai-settlements"/>
    <updated>2025-10-19T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-first-licensed-ai-settlements</id>
    <summary>UMG and Warner settled with Udio in October 2025, moving AI music licensing from litigation to platform. What the deals do, and do not, tell investors.</summary>
  </entry>
  <entry>
    <title>Black box royalties: value hiding in unmatched income</title>
    <link href="https://www.puresignal.co.uk/signal/black-box-royalties"/>
    <updated>2025-10-12T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/black-box-royalties</id>
    <summary>Black box royalties sit unmatched at societies and DSPs. Understanding why reveals which catalogues hold verifiable value and which hold noise.</summary>
  </entry>
  <entry>
    <title>From teaser to close: how a catalogue changes hands</title>
    <link href="https://www.puresignal.co.uk/signal/from-teaser-to-close"/>
    <updated>2025-10-05T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/from-teaser-to-close</id>
    <summary>A close look at the catalogue acquisition process, from teaser through diligence to completion, and where value is confirmed or lost.</summary>
  </entry>
  <entry>
    <title>The income mix: why the split matters more than the total</title>
    <link href="https://www.puresignal.co.uk/signal/the-income-mix"/>
    <updated>2025-09-28T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/the-income-mix</id>
    <summary>Why the composition of music royalty income types, not the headline total, determines a catalogue&#39;s real durability and risk.</summary>
  </entry>
  <entry>
    <title>Bad royalty data is a valuation problem, not an ops one</title>
    <link href="https://www.puresignal.co.uk/signal/bad-royalty-data-is-a-valuation-problem"/>
    <updated>2025-09-21T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/bad-royalty-data-is-a-valuation-problem</id>
    <summary>Catalogue valuations hinge on cash flow accuracy, not just the multiple. Why royalty data quality deserves the same scrutiny as pricing.</summary>
  </entry>
  <entry>
    <title>Spotify turns on lossless, and it isn&#39;t a superfan tier</title>
    <link href="https://www.puresignal.co.uk/signal/spotify-lossless-not-a-superfan-tier"/>
    <updated>2025-09-14T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/spotify-lossless-not-a-superfan-tier</id>
    <summary>Spotify&#39;s no-extra-cost lossless rollout wasn&#39;t the superfan tier the market expected. A lesson in separating product noise from real streaming income.</summary>
  </entry>
  <entry>
    <title>Buy-side diligence that survives an investment committee</title>
    <link href="https://www.puresignal.co.uk/signal/buy-side-diligence-that-survives-ic"/>
    <updated>2025-09-07T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/buy-side-diligence-that-survives-ic</id>
    <summary>Music catalogue due diligence that holds up under IC scrutiny separates verifiable, durable income from the headline multiple built on it.</summary>
  </entry>
  <entry>
    <title>Concentration risk: when a catalogue is really one song</title>
    <link href="https://www.puresignal.co.uk/signal/concentration-risk-one-song"/>
    <updated>2025-08-31T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/concentration-risk-one-song</id>
    <summary>Catalogue concentration risk is the most overlooked variable in music rights valuation. Here is what proper diligence looks for beneath the headline number.</summary>
  </entry>
  <entry>
    <title>Music royalties as an asset class: what &#39;uncorrelated&#39; hides</title>
    <link href="https://www.puresignal.co.uk/signal/music-royalties-asset-class"/>
    <updated>2025-08-24T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/music-royalties-asset-class</id>
    <summary>Music royalties are pitched as uncorrelated income, but that label says nothing about durability, ownership or verification. Here is what it hides.</summary>
  </entry>
  <entry>
    <title>Publishing vs masters: where the durable value sits</title>
    <link href="https://www.puresignal.co.uk/signal/publishing-vs-masters"/>
    <updated>2025-08-17T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/publishing-vs-masters</id>
    <summary>Publishing vs master rights: why the split between composition and recording income shapes durability, not just headline catalogue value.</summary>
  </entry>
  <entry>
    <title>Reading a decay curve: what a new release won&#39;t tell you</title>
    <link href="https://www.puresignal.co.uk/signal/reading-a-decay-curve"/>
    <updated>2025-08-10T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/reading-a-decay-curve</id>
    <summary>A track&#39;s opening streams are noise. The royalty decay curve beneath them is where real, durable value in music rights is found.</summary>
  </entry>
  <entry>
    <title>Music catalogue valuation: beyond the multiple</title>
    <link href="https://www.puresignal.co.uk/signal/music-catalogue-valuation"/>
    <updated>2025-08-03T00:00:00Z</updated>
    <id>https://www.puresignal.co.uk/signal/music-catalogue-valuation</id>
    <summary>A music catalogue&#39;s multiple is a market shorthand, not a valuation. Real diligence separates durable income from noise in the underlying rights.</summary>
  </entry>
</feed>
